Long Day is probably the most varied record of their long career, and never have they put so much emphasis on mood. Once the newest record sank in, it was clear that this was by design. Long Day Good Night – which is possibly but hopefully not Fates Warning’s final album – was not as immediate as its predecessor Theories of Flight. Thanks for reading, and cheers to you and yours. But man, I enjoyed each and every one of these little adventures, and I find myself looking forward to which band I might choose next. He has headphones so his wife doesn’t get annoyed. He has a work-from-home desk job during a pandemic that rarely requires him to be on the phone, and 2. Both The Gathering’s and Dream Theater’s debuts fit this.Īnyhoo, these are the types of mad exercises a guy can do when 1. These binges also led to some albums I’ve long owned and enjoyed growing in my mind like never before.And in contrast to the Katatonia point about weaker albums, Us and Them sounded worse in this context. Related: listening to this much Godflesh at one time was the most exhausting, both because of the music’s repetitive nature, and also because they often felt the need to extend their albums with some 20-minute noise nonsense at the end.Bands like Godflesh and Nevermore really showed what Aaron spoke of above, hearing tiny changes between albums that actually took the bands years to manifest.But it’s more than perfectly enjoyable and actually seemed less weak compared to other albums when spun in this binge context, surprisingly. Katatonia’s Dead End Kings, for example, is typically the album I’d list as their worst. Similarly, albums that I think of as the weaker links didn’t feel as weak when part of the whole.For example, a couple of Krallice’s longer albums used to feel unnecessarily draining to me, but when listening within the whole catalog, they merely felt like part of the greater journey because I really got in the zone. Albums often take on a different nature in such a context.Maybe I was curious to revisit a certain album or two but needed context, or maybe I simply wanted to listen to a ton of a particular band and decided to go the long haul. Each experience was wildly different, and not just because of the differences in the music, but because I chose each band for different reasons.Every experience was different, and although I didn’t always follow Aaron’s rule of going in order without splitting it up, when I started, I made sure to finish within a day or two.Ī few observations from these deep dives: Also Autopsy, Nevermore, Katatonia, The Cult, and Dream Theater. Krallice, Pink Floyd, Godflesh, and The Gathering were a few of my choices. It made me curious to see how differently I might hear albums I’ve known for ages, and in the spirit of Aaron’s exercise, I didn’t exactly go with small catalogs. That’s a lot of foundational and legendary death metal. He had just done the full catalogs of Immolation, Incantation, and Gorguts, and was following it up with Cannibal Corpse. Played back to back, albums display minor differences in a strange light.” “…it’s the flattening effect that makes it so interesting - you’re hearing progression and decline across a span of hours rather than years. But the biggest reason was some curiosity that formed way back in May of 2019 after reading Stereogum’s The Black Market, in which Aaron Lariviere described something very interesting about this compressed library digestion: Part of the reason was the free time, and another was we Last Rites nerds like to rank just about everything. In lieu of regurgitating a bunch of negativity, I’m going to discuss one of the ways in which I coped and kept myself looking forward: I started doing binges of entire discographies. Hope you’ve made it through 2020 with minimal suffering.
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